My first experience of Kideko came through the single Good Thing, a solo track that was released in April last year on Ministry of Sound Recordings. Upbeat and tailor-made for mainstream dance music enthusiasts and radio spins, it showcases a desire from Kideko to create more of a household name for himself. Other tracks include breakout single The Jam, which sampled Technotronic’s 1989 Pump Up The Jam, Jalisco and latest single Gonna Be, and these are all more targeted at true dance music fans rather than audiences who encounter dance music and it’s tropes through mainstream radio and national charts. Having collaborated with Tinie Tempah, amongst others, in the past, this is a sign that Kideko is trying to cover a few bases with his work.

Good Thing features a really infectious bassline that never becomes too heavy and gorgeous female vocals that are a perfect fit for the niche this project is trying to sit within. There aren’t many instances where these vocals aren’t being delivered over the beat, making it much more palatable for a potential new fan to ease themselves into.

Kideko is a Brighton based DJ/producer who, when he’s not in the studio or behind the decks, goes by Ryan Hurley. Previously a drummer, his love for electronic and dance music came later in life as he studied music production and his drumming roots shine through in his work, with the unmistakable drum beat running through Good Thing and a unique short burst to open the track. With a lot of love shown from the likes of Pete Tong and Annie Mac on BBC Radio 1, Kideko’s career looks to go from strength to strength in 2019 and beyond.

 

Spotify Playlist Link: https://spoti.fi/2CKuVex